During the first months of my composition studies at University of Victoria (December 2013), a fellow composer passed me by while I ate something between lessons. She looked at me and asked: “Do you conduct? I am looking for a conductor to perform my piece next month.” The truth was that I did not conduct, but I wanted to learn, so I accepted her invitation.
Since I began my conducting practice in the beginning of 2014, I worked with a number of ensembles in Victoria, BC and in Toronto, ON. Some of the performances include:
• North York Concert Orchestra Rehearsals:
–Carmen Fantasy, by Pablo de Sarasate (1882);
–Symphony No. 1 in C Minor, by Johannes Brahms (1854)
• Assistant Music Director of The Crystal Singers Women’s Choir:
• Guest conductor with the St. Barnabas Church Choir;
• Graduation recitals:
-Monophony, by Shabahang Saffari (2019):
–Cloche sur Table, by David Foley (2014):
–Tongue of the Ocean, Cries of the Sea, by Janet Sit (2014):
• Festivals and concerts:
–O King, by Luciano Berio (1968);
–Hmm, by Lynne Penhale (2015) [8:02 in the video]:
–Pocket Song I-Whispering Silence, by Marcílio Onofre (2015):
https://soundcloud.com/monofre/pocket-song-i-whispering-silence-voice-fl-vla-horn-pno2015
• UVic Orchestra rehearsals:
–Egmont Overture, by Ludwig van Beethoven (1809-1810):
–Pomp and Circumstances 2, by Edward Elgar (1901);
–Academic Festival Overture, by Johannes Brahms (1880);
–Coriolan Overture, by Ludwig van Beethoven (1804);